Production manual · 一人手搓AI电影
One-Person AI Filmmaking
One-Person AI Filmmaking is a production manual that documents the practical challenges of creating a feature-length AI film alone. It addresses how to estimate daily shot output, fix continuity breaks between adjacent shots, preserve the main story when adapting a long novel, handle subtitles separately, stabilize character faces with reference images, diagnose audio-visual sync issues, decide whether two computers are sufficient for a multi-machine workflow, and maintain the database tables that are easy to overlook. The series answers concrete craft questions for solo filmmakers working with AI tools.
In this series
The English edition of this wo
- Two-Level Decomposition: 93,000 Characters to 1,029 ShotsTranslated essay · 14 min read
- Three Computers, Eleven Days: The Engineering Breakdown of an AI Film Two Hours and Twenty Minutes LongTranslated essay · 15 min read
- Two Hours Twenty Minutes Zero Random Failures: The Quality Floor of the Final CutTranslated essay · 16 min read
- Parallel Secret: 11 Days, 2-Hour Film via Multi-Machine Task RacingTranslated essay · 17 min read
- Thirty-Seven Characters: Data Modeling Behind a FilmTranslated essay · 16 min read
- imgstyle: One Field Switching Four Art StylesTranslated essay · 15 min read
- Three Prompt Templates Cover Three Paths for 1,000+ ShotsTranslated essay · 18 min read
- One Begets Two, Two Begets Three: The Recursive Logic of Splitting a Book into ShotsTranslated essay · 16 min read
- Swap Actor, Edit One Row: 93,000-Word Novel Becomes a 2-Hour FilmTranslated essay · 16 min read
- Eleven Days, Three Computers: Five Hidden Pitfalls Behind a 1,000-Shot AI FilmTranslated essay · 17 min read
- Scene Equals Character Plus Location: AI Film's Smallest Unit Is an AdditionTranslated essay · 9 min read
- Title First, Then Structure, Then Storyboard: Six Steps from Novel to FilmTranslated essay · 9 min read
Questions people ask
What is One-Person AI Filmmaking?
It is a production manual series written from the experience of making an AI film alone. It covers shot estimation, prompt debugging, story adaptation, subtitle processing, character consistency, lip-sync troubleshooting, hardware planning, and database management, all grounded in real workflow scenarios.
How does the manual recommend fixing lip-sync mismatches?
The series discusses whether the problem originates in the dubbing audio or the visual generation. It suggests isolating each track, checking if the voice timing matches the character's mouth movements, and adjusting either the audio pacing or regenerating the visual to align with the spoken line.
Where are the original Chinese versions published?
The Chinese originals are kept in our Chinese edition, while the English archive is available at dalian-works.pages.dev. Both sites host the same series under the fixed English title One-Person AI Filmmaking, with the Chinese titles as listed in the archive.
Other works
First Avenue · Phoenix Mark · AI Crosstalk · The First Milk Tea of Mid-Autumn · The Portable Knowledge Base · System Constitution Notes · All works